Friday 23 March 2012

For Arts Sake - Mothers Day A-board.

Forgot about this, I designed this A-board promotion at the gallery I work at for a couple of weeks leading up to Mothers Day. I went for 50's kinda vibe as that's a fairly stylish look in at the moment and the fact we have a lot of tea-sets/cups in the shop itself works for this. This isn't something I'd normally do but I quite like it, it's fairly basic and by no means a groundbreaking, unique piece of design but I think it fits for the purpose of attracting more customers very well. Apparently when I wasn't working, a couple of Japanese tourists were standing by it and taking photos of it. On the same day a woman came in and asked if she could buy the actual poster (!) the gallery didn't sell it to her (but they should have). Bit annoyed I didn't take a photo of it sat outside but ah well!



Monday 19 March 2012

illuhouettes

I'm preeeetty sure this idea has been done before somewhere, I'm very aware that not all of my ideas are brand new discoveries but this has been stuck with me for a while so I decided to play it out and see how it looks.







This was really fun to do. I can imagine this working really well in fashion catalogues if they want to make the models redundant. I'd like to try a moving version of this look in a GIF format. Clouds slowly floating behind the silhouettes would look really cool.

Tuesday 13 March 2012

Predator artwork

Gotta love that movie, here are some illustrations I did from a while back. I remember that I really enjoyed doing this, so I may continue creating 'fan' artwork if you will, for a few of my other favourite films.






Monday 12 March 2012

Nightbus Chronicles iv feat. Louis Valenzuela


By Jamie Kyle


By Louis Valenzuela


By Louis Valenzuela


By Jamie Kyle


By Jamie Kyle


By Louis Valenzuela


By Jamie Kyle


By Jamie Kyle


By Jamie Kyle


By Louis Valenzuela


Tuesday 6 March 2012

Printmaking.

I've been working at the gallery for just under a year now and I've finally got around to re-investing into some new printmaking equipment, in particular, Linocut. I dabbled in this quite a lot a few years ago but my interests at the time made me venture elsewhere. It's a very physical and practical process which is probably why I like it so much, very hands on. I decided to do a few test prints to get the juices flowing and see where it'll take me. Aesthetically, I would like to step away from my current style of illustration for this in the sense that I feel a new method deserves a new approach. As for a theme, I would like to focus on animals, foxes in particular and maybe hares. I'd like to create a few pieces that imply a narrative, so that they look like they've been torn out of a book explaining a moment in a story.

Firstly, the Lino pieces I carved (In the past I've found that the piece of linoleum can often look much nicer by itself after several prints than the prints do themselves..) :




Progression of tests, just using black:



This one isn't anything amazing by any account, I wanted to play around with a sort of repetition/tessellation look, it was a little rushed.




This test print is the 'implied narrative' I'd like to go for, the imagery is nice but the composition can be better, it can be a little bit more open.
First print isn't great, poor ink spread. 
The second one, a part of me really likes this as there's decent ink spread but it isn't perfect, a rough aesthetic. 
The third one is a good print in the sense of solid colour which Lino and block printing are all about. Problem with this is that the carving has to be perfect, you notice the imperfections a lot more in this print than the one previous which can pull it off quite well. For example, look at the misshapen moon and the mountain tops third from left and third & fifth from right, it just looks scruffy.

A fairly okay test run, I'm looking into doing multiple colours but need to figure out which one of two possible techniques can work out best. I either have to cut a number of separate lino slabs depending on the number of colours I want, or use the same piece of lino but cut away into it after each colour is done, but doing this will mean that it will be unusable when I'm finished with it. Hmmm.

TTFN



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